I enjoy creating work which reverses the conventional relationship between the viewer and art. In which the viewer is normally in control. I choose to create pieces of work so intimate or intense the viewer feels intimidated or overwhelmed, putting the subject matter or art in control instead.
I purposely choose intimate scenario’s any human would find uncomfortable to face and translate them in to something more unnerving. I exaggerate them through the use of paint and scale, to make the viewer feel vulnerable or insecure when faced with the piece. This is present in my ‘Raw Emotion’ paintings.
I wanted to create the opposite effect of repulsion and garishness with the photo series following. I photographed close ups of my family and friend’s faces after having had a shower or bathing, appearing as if they were unaware of the camera. Capturing a moment in time that nobody really wants to be closely observed or scrutinized in. I aimed to make the subjects feel and look as vulnerable as possible by leaving them unclothed and sopping wet. The camera was placed directly above their faces to gain a sense of control and dominance over the subject. The images were intended to encourage the viewer to sympathise with the subject matter, whilst at the same time feel uncomfortable that they are invading the subject’s privacy and personal space.
I chose subjects that were close to me in response to the work of Sam Taylor-Woods ‘Crying Men’, as I wanted to reveal honest emotion. Much like Taylor-Wood I chose subjects that usually come across as strong and heroic in some way, the ones we hold dearest and look up to. I feel using someone that is close to you as the photographer allows them to reveal their most fragile emotions much easier, as they have no reason to doubt your trust.
Lucy.Southworth 